Quadrinhos e ficção científica
DOI:
https://doi.org/10.5216/vis.v8i1.18235Abstract
Esta pesquisa pretende lançar um olhar sobre o caráter antecipatório desempenhado pela Ficção Científica (FC), ao propor projeções utópicas ou distópicas sobre a relação entre nossa sociedade – ou uma sociedade resultante da nossa – e os avanços tecnocientíficos. Para tanto, utilizarei a definição de deslocamento conceitual de Philip K. Dick como ferramenta metodológica para análise das seguintes obras de História em Quadrinhos: Ronin, de Frank Miller; Akira, de Katsuhiro Otomo; BioCyberDrama, de Edgar Franco e Mozart Couto. Paralelamente à investigação teórica, o trabalho envolve a criação de uma poética artística, uma narrativa hipermídia (HQtrônica) de FC inspirada pelas conclusões desta investigação.Palavras-chave: Ficção científica (FC), história em quadrinhos (HQ),
deslocamento conceitual
Downloads
Downloads
Published
Issue
Section
License
This work is licensed under a Creative Commons Attribution 4.0 International License .
Authors who publish in this journal agree to the following terms:
a. Authors retain the copyright and grant the journal the right of first publication, with the work simultaneously licensed under the Creative Commons Attribution 4.0 License which allows the sharing of work with acknowledgment of authorship and initial publication in this journal.
b. Authors are authorized to take additional contracts separately, for non-exclusive distribution of the version of the work published in this journal (eg publish in institutional repository or as a book chapter), with acknowledgment of authorship and initial publication in this journal.
c. Authors are allowed to publish and distribute their work online (eg in institutional repositories or on their personal page) after the initial publication in this journal, as this can generate productive changes, as well as increase the impact and citation of the published work ( See The Effect of Free Access).
Every effort has been made to identify and credit the rights holders of the published images. If you have rights to any of these images and have not been correctly identified, please contact the Visuals magazine and we will publish the correction in one of the next issues.
