Escrever sob o fascínio da imagem – ressonâncias entre o pensamento de Maurice Blanchot e Georges Didi-Huberman
DOI:
https://doi.org/10.5216/vis.v15i2.48066Keywords:
Blanchot. Didi-Huberman. Imagem.Abstract
The article problematizes the concept of image from the thinking of Maurice Blanchot and Georges Didi-Huberman. Exploring especially the concepts of duplicity of the image in Blanchot and double distance of the look in Didi-Huberman, it is intended to compose a starting plan that will allow to verify the points in which one converges in these authors a way of operating the thought about art in its relation to the image. In this game subject and object are thrown into an instability, a movement in which the subject undoes himself by the image, he discards himself in the encounter with a work. Moment when the image asks for the word and where the language becomes the place from which we can approach it.
Downloads
References
BAVCAR, Evgen; TESSLER, Elida; CARON, Muriel. Uma câmera escura atrás de outra câmera escura: entrevista com Evgen Bavcar. In: A Invenção da Vida. Porto Alegre: Artes e Ofícios, 2001.
BENJAMIN, Walter. Obras Escolhidas – Magia e Técnica, Arte e Política. 7. ed. Tradução Sergio Paulo Rouanet. São Paulo: Editora Brasiliense, 1994.
BLANCHOT, Maurice. O espaço literário. Tradução Álvaro Cabral. Rio de Janeiro: Rocco, 2011.
______. A conversa infinita – A palavra plural (palavra de escrita). Tradução Aurélio Guerra Neto. São Paulo: Escuta, 2010.
DELEUZE, Gilles; GUATTARI, Félix. Kafka – Por uma literatura menor. Tradução Luiz B. Orlandi. Belo Horizonte: Autêntica Editora, 2014.
DIDI-HUBERMAN, Georges. O que vemos, o que nos olha. Tradução Paulo Neves. São Paulo: Editora 34, 1998.
______. De semelhança a semelhança. Tradução Maria José Werner Salles. Revista Alea, v. 13, n. 1, jan./jun. 2011. Disponível em:< http://www.scielo.br/scielo.php?script=sci_arttext&pid=S1517-106X2011000100003>. Acesso em: 20 jul. 2013.
FOUCAULT, Michel. Arqueologia do Saber. 7. ed. Tradução Luiz Felipe Baeta Neves. Rio de Janeiro: Forense Universitária, 2007.
LEVY, Tatiana Salem. A experiência do fora, Blanchot, Foucault e Deleuze. Rio de Janeiro: Civilização Brasileira, 2011.
Downloads
Published
Issue
Section
License
This work is licensed under a Creative Commons Attribution 4.0 International License .
Authors who publish in this journal agree to the following terms:
a. Authors retain the copyright and grant the journal the right of first publication, with the work simultaneously licensed under the Creative Commons Attribution 4.0 License which allows the sharing of work with acknowledgment of authorship and initial publication in this journal.
b. Authors are authorized to take additional contracts separately, for non-exclusive distribution of the version of the work published in this journal (eg publish in institutional repository or as a book chapter), with acknowledgment of authorship and initial publication in this journal.
c. Authors are allowed to publish and distribute their work online (eg in institutional repositories or on their personal page) after the initial publication in this journal, as this can generate productive changes, as well as increase the impact and citation of the published work ( See The Effect of Free Access).
Every effort has been made to identify and credit the rights holders of the published images. If you have rights to any of these images and have not been correctly identified, please contact the Visuals magazine and we will publish the correction in one of the next issues.
