Imagens do pensamento sobre o ritmo no cinema - DOI 10.5216/vis.v3i2.17937
DOI:
https://doi.org/10.5216/vis.v3i2.17937Abstract
Este trabalho busca articular algumas reflexões entre imagem e som presentes no filme O Cozinheiro, o Ladrão, sua Mulher e seu Amante (1989) do diretor britânico Peter Greenaway, investigando a encenação sob um prisma poético.Palavras-chave: cinema, Peter Greenaway, música, narratividade.
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