ANIMA AND/IN PERFORMANCE
Pathways in the poetics of femininity
DOI:
https://doi.org/10.5216/ac.v6i1.63327Abstract
This study introduces the development of the female figure in a concrete way, being characterized as a contemporary framework for theoretical and practical thoughts. By outlining the research through scene arts, the researcher - perhaps scene poet - created ritualistic scenes from his own narratives and singular rites of other narratives through playful games. Thus, communications through speech and performance were enabled by contacting directly its creative anima-energy (Jung, 2000b). This material can be seen as a supposed chronological cartography in the face of dialogue in which they include gender theories, artistic manifestations and break with a compulsory heteronormative education.
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