SOL E LAMA
Corpo e morte em Tatsumi Hijikata e Yukio Mishima a partir de Cores Proibidas
DOI:
https://doi.org/10.5216/ac.v6i2.65523Abstract
The performance that became known as the Ankoku Butoh's inaugural work by Tatsumi Hijikata was named Forbidden Colors, making a direct allusion to the title of the novel written by Yukio Mishima. From this purposeful act, an eleven-year friendship between these artists emerged. This article presents from the Writer and Dancer's Forbidden Colors the distinctions between their perspectives on death, directly linked to the ways that investigated their own bodies. A clash is proposed between the Healthy Body in Mishima - forged by the strict doctrine of the Sun and Steel - and the Debilitated Body in Hijikata - open and porous as befits the wisdom announced by the mud.
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