Between Norm and Gesture: Care Practices in a Painting Workshop within an Institutional Context
DOI:
https://doi.org/10.5216/sec.v29.84121Abstract
This article aims to analyze how care is configured in a painting workshop within an institutional context, exploring how artistic practice reconfigures grammars of action in social work. Based on a qualitative, ethnographically inspired investigation conducted over two years of participant observation and informal conversations with staff and users, we examine practices through the lens of care ethics, pragmatic sociology, and Laforgue’s typology. The results highlight three modalities of care: care with others, through co-presence and co-authorship; care for others, linked to the hospitable maintenance of space; and care without others, characterized by ethical restraint, active waiting, and respect for silence and withdrawal. The workshop thus emerges as an ethical-aesthetic device capable of accommodating presences, hesitations, and absences, valuing “work without others” as a discreet yet decisive form of care.
Keywords: care; vulnerability; pragmatic sociology; art; social work.
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