The study of musical art as a factor in the preservation and development of cultural heritage

Authors

DOI:

https://doi.org/10.5216/mh.v26.84759

Keywords:

traditional music;, cultural identity;, digital technologies;, folklore;, curriculum

Abstract

This study aimed to identify contemporary approaches to integrating traditional music into music education in Kazakhstan and to assess their impact on the preservation of cultural heritage. A comprehensive methodological framework was employed, incorporating content analysis of academic studies, teaching materials, multimedia platforms, portals, official websites, YouTube channels, and regulatory documents; comparative analysis of educational models in China, Ireland, Japan, Finland, and South Korea; the historical-genetic method to explore the interaction between traditional and modern music in Kazakhstan; as well as systems and prognostic approaches. The study revealed key trends in the integration of traditional music into Kazakhstan’s educational process. It was found that, under conditions of globalisation, initiatives aimed at adapting traditional music to contemporary learning formats, including the use of digital technologies and multimedia platforms, acquire particular importance. The analysis of international experience demonstrated that the successful integration of traditional music into educational models abroad is achieved through the inclusion of folk music in compulsory curricula, the active application of interdisciplinary approaches, and the encouragement of creative initiatives. The need for a comprehensive approach to the preservation of musical heritage was substantiated, encompassing educational, cultural, and technological components. Promising strategies for the development of music education were identified, with a focus on safeguarding and revitalising Kazakhstan’s traditional musical culture. The findings highlight the importance of designing an integrated educational strategy aimed at preserving traditional music, while the results obtained may be applied in improving curricula and shaping state policy in the field of cultural heritage.

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Author Biographies

  • Abdulkhamit Raimbergenov, Department of Dombra, Kurmangazy Kazakh National Conservatory, Almaty, Republic of Kazakhstan a.raimbergenov@outlook.com

    Abdrashid Raimbergenov is a researcher, educator, and specialist in Kazakh traditional music and ethnomusicology. His academic interests include musical heritage preservation, traditional instrumental performance, music pedagogy, cultural identity, and the study of Central Asian musical traditions. His work has focused on the transmission of traditional musical knowledge, the analysis of instrumental genres, and the relationship between music, culture, and education in Kazakhstan. He has participated in research projects and publications addressing traditional music, cultural heritage, and contemporary artistic practices in the broader context of Eurasian cultural studies.

  • Yerkin Zhanaikhan, Department of Musical Education, Astana International University, Astana, Republic of Kazakhstan y-zhanaikhan@hotmail.com

    Yerkin Zhanaikhan is a researcher and educator affiliated with the Department of Musical Education at Astana International University, Kazakhstan. His academic interests include music education, chamber ensemble performance, contemporary musical culture, performance practice, and the pedagogical and methodological dimensions of instrumental training. His research focuses on the development of musical interpretation, the role of contemporary repertoire in higher music education, and the interaction between performance, pedagogy, and cultural heritage. He has participated in studies addressing contemporary chamber music, artistic training, and innovative approaches to music education within both national and international contexts.

  • Dinara Zhanaikhan, Department of Musical Education, Astana International University, Astana, Republic of Kazakhstan d_zhanaikhan@outlook.com

    Dinara Zhanaikhan is a researcher and lecturer in the Department of Musical Education at Astana International University, Kazakhstan. Her academic and professional interests include music education, instrumental and chamber music performance, contemporary musical practices, and pedagogical approaches to artistic training. Her research focuses on the development of interpretative skills, innovative teaching methodologies in music education, and the integration of contemporary repertoire into academic curricula. She has contributed to studies exploring the relationship between musical performance, cultural heritage, and educational practice, with particular attention to the role of contemporary music in shaping artistic and aesthetic competencies.

  • Artur Povalyashko, Department of Variety Art, Kazakh National University of Arts, Astana, Republic of Kazakhstan apovalyashko@hotmail.com

    Artur Povalyashko is a researcher, performer, and educator affiliated with the Department of Variety Art at the Kazakh National University of Arts, Astana, Kazakhstan. His academic and artistic interests encompass contemporary music performance, popular and variety arts, chamber ensemble practice, music pedagogy, and interdisciplinary approaches to artistic education. His work focuses on performance interpretation, the development of creative and technical competencies in musicians, and the integration of contemporary artistic practices into higher music education. Through his teaching, performance, and research activities, he contributes to the advancement of music education and the promotion of innovative approaches to musical training and artistic expression.

  • Dmitriy Kovalev, Department of Musical Education, Astana International University, Astana, Republic of Kazakhstan dmitriykovalev382@gmail.com

    Dmitriy Kovalev is a researcher and educator affiliated with the Department of Musical Education at Astana International University, Kazakhstan. His academic interests include music education, performance studies, chamber ensemble practice, contemporary musical culture, and pedagogical methodologies in higher artistic education. His research focuses on the development of interpretative and performance skills, innovative approaches to music teaching, and the role of contemporary repertoire in the professional training of musicians. He has contributed to studies exploring the intersections of musical performance, education, and cultural development, with particular emphasis on fostering artistic creativity and critical engagement in music learning environments.

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Published

2026-05-30

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Section

Artigos

How to Cite

RAIMBERGENOV, A. et al. The study of musical art as a factor in the preservation and development of cultural heritage . MÚSICA HODIE, v. 26, 30 May2026.