Vol. 26 (2026)

Published: 2026-01-19

Special Issue on the 19th Brazilian Symposium on Computer Music

Guest Editors' Introduction to the SBCM 2025 Dossier

Micael Antunes, Gustavo Bonin
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DOI: https://doi.org/10.5216/mh.v26.86702
Synthesizing Tradition: Physical Modeling and Composition with the Colombian Gaita

Juan Felipe Vasquez Rincon, Danilo Rossetti
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DOI: https://doi.org/10.5216/mh.v26.85239
MNT2: A Longitudinal Evaluation of an Open-Source Mapping Software

Fabián Sguiglia
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DOI: https://doi.org/10.5216/mh.v26.85231
Seizing the means of machine listening/learning and agentic AI creative practices with conTorchionist and vibe composing

José Henrique Padovani, Vinícius César de Oliveira
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DOI: https://doi.org/10.5216/mh.v26.85224
Collaborative Dynamics in Electroacoustic Music Creativity: Telematic Dialogues Across Apparatuses

Paulo C. Chagas, Ivana Petković Lozo
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DOI: https://doi.org/10.5216/mh.v26.85132
A Hybrid Symbolic–Acoustic Computational Framework for the Analysis of Choros: The Case of Garoto

Rafael Mitsuru Yasuda, Manuel Falleiros
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DOI: https://doi.org/10.5216/mh.v26.85528
Development and evaluation of PATRICIA a real-time singing synthesizer for the Brazilian Portuguese language

Leonardo Brum, Eduardo Meneses, Edward Moreno
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DOI: https://doi.org/10.5216/mh.v26.85249
Investigating genre similarity boundaries in Brazilian music using deep learning models

Victoria de Souza Leon Guimarães, João Gustavo Kienen, Rosiane de Freitas
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DOI: https://doi.org/10.5216/mh.v26.85233

Artigos

Gaetano Donizetti y la “Solita Forma”: Roberto Devereux

Francisco Carlos Bueno Camejo, Jorge Tovar Sahuquillo, María Messana
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DOI: https://doi.org/10.5216/mh.v26.84957
The Identity of Portuguese Early Music New Data on João Cordeiro da Silva and his Keyboard Sonatas

Mafalda S. Nejmeddine
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DOI: https://doi.org/10.5216/mh.v26.84807
Music and Aesthetic Training within Ideological and Political Education in Higher Educational Institutions

Yan Jia
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DOI: https://doi.org/10.5216/mh.v26.85042
Practical and analytical application of the poetics of acoustic orchestration on the piece Jeux d'eau, by Ravel

Felipe Pessin Manzoli, ´Fabrício do Rosário Moreira, Fabiano Araujo Costa
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DOI: https://doi.org/10.5216/mh.v26.82758
Interdisciplinary and music: a teacher training experience and didactic proposal for the classroom

Paloma Bravo-Fuentes, Miriam Albusac-Jorge
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DOI: https://doi.org/10.5216/mh.v26.86266
Exploring the generative AI art technologies in vocal training for increasing aesthetic and emotional perceptions

Beibei Zhang
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DOI: https://doi.org/10.5216/mh.v26.83504
AI-Based Feedback Systems in Piano Education: Effects on Technical Accuracy and Learner Autonomy

Xiaodong Deng
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DOI: https://doi.org/10.5216/mh.v26.85176
Binaural and/or stereo self-listening as a tool for musical performance simulation Evaluating immersion and neural responses

Nery Borges, Pedro Bem-Hajoa, Isaac Raimundo, Helena Marinho, Marcos V. Araújo, Anabela Pereira , Isabel M. Santos
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DOI: https://doi.org/10.5216/mh.v26.83941
The Effectiveness of VR Applications for Piano Learning: The Impact of Self-Discipline and Time Management

De Mi
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DOI: https://doi.org/10.5216/mh.v26.85623
Enhancing Chinese Percussion Education through Virtual Reality: Psychological Impact and Academic Performance

Wei Wang
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DOI: https://doi.org/10.5216/mh.v26.84688
Pagode with a groove The album Pluralidade in the spirals of Salvador's music scene

Nadja Vladi Gumes, Tatiana Rodrigues Lima, Lucas Amorim, Melina Santos
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DOI: https://doi.org/10.5216/mh.v26.83291
VOX ET MACHINA Una genealogía incompleta de los usos y estéticas de la voz artificial.

Jordi Roquer González
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DOI: https://doi.org/10.5216/mh.v26.83936
As conquistas e os desafios das habilidades musicais na aprendizagem instrumental em início da graduação: dois estudos de caso

Arilton Rodrigues Medeiros Jr., Regina Antunes Teixeira dos Santos
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DOI: https://doi.org/10.5216/mh.v26.83398
Role of Digital Technologies in Analysis of Choral Performance: Mechanism of Processing Sound and Musical Piece

Sergiy Prokopov
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DOI: https://doi.org/10.5216/mh.v26.84770
“Sean todos bienvenidos a mi planeta”: las promocionales de festivales de rap autogestionados en Chile (2010-2025)

Germán Alcalde, Nelson Rodríguez Vega
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DOI: https://doi.org/10.5216/mh.v26.84805
It's all because of you! About composition, performance, artificial intelligence

Heloisa de Araújo Duarte Valente
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DOI: https://doi.org/10.5216/mh.v26.84798
Beyoncé’s Renaissance (2022) as a Cultural Universe: Music Marketing, Transmedia Storytelling and Brand Construction

Penélope Martín-Martín, Pablo Impelluso-Cortés, María José Higueras-Ruiz, José Patricio Pérez-Rufí
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DOI: https://doi.org/10.5216/mh.v26.85019
The adaptation of folk songs in the choral works of Kosovar composers

Arsim Kelmendi
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DOI: https://doi.org/10.5216/mh.v26.85135
The evolution of song folklore and its influence on the development of the national musical tradition

Baglan Babizhan, Aigul Kossanova, Zaure Smakova, Aigul Imasheva, Aigul Baibek
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DOI: https://doi.org/10.5216/mh.v26.84763
Musical and metrical similarities between Sephardic romances from Tetouan and La Alpujarra using Digital Humanities tools Exploring the oral legacy of a medieval tradition

Pablo López Rocamora
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DOI: https://doi.org/10.5216/mh.v26.85872
Diferenças estéticas étnicas na ontologia da música xamânica no contexto do pós-modernismo: Uma comparação entre a Coreia do Sul e a China

Fan chang, Johee Lee, Fei Li
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DOI: https://doi.org/10.5216/mh.v26.83273
Músicas patrimonializadas: el Carnaval de Cádiz

Francisco Jose García Gallardo, Herminia Arredondo Pérez
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DOI: https://doi.org/10.5216/mh.v26.85093
Nada Nusantara: Transcending Cultural Boundaries Through Transcultural Music Compositions

Marzelan Salleh, Alan Williams, Camellia Siti Maya Mohamed Razali, Abdul Rachman, Irfanda Rizki Harmono Sejati
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DOI: https://doi.org/10.5216/mh.v26.82989
Epigénesis de la educación musical en la era de la Inteligencia Artificial

Luis del Barrio Aranda, Rubén Carrillo Méndez, Patricia A. González Moreno
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DOI: https://doi.org/10.5216/mh.v26.85467
Motivación en el aprendizaje de la viola y el violín con software de apoyo a la entonación instrumental

Fernando López Calatayud, Remigi Morant Navasquillo
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DOI: https://doi.org/10.5216/mh.v26.82835
Once upon a Time in Hong Kong: Intertextuality in Musical Parody as Nostalgia in the Chinese Cinema

Sijie Mao, Ow Wei Chow
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DOI: https://doi.org/10.5216/mh.v26.84997
From Sacred to Supernatural: The Tonal Semantics of the Trombone and the Representation of the Otherworldly in Classical Western Music

Sevgünür Tandoğdu Kılıç
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DOI: https://doi.org/10.5216/mh.v26.85276
Familia y profesorado como factores de influencia en el desarrollo de habilidades performativas pianísticas superiores

Guido Sciurano, Jesús Tejada Giménez
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DOI: https://doi.org/10.5216/mh.v26.82791
Social stereotypes and loneliness: Psychological status of music creators from Self-Determination Theory

Rolando Angel-Alvarado
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DOI: https://doi.org/10.5216/mh.v26.84938
The Musical Collection of Santa Catarina School in Juiz de Fora maintenance and changes of a German-Brazilian culture

Letícia Almeida Carlos, Marta Castello Branco
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DOI: https://doi.org/10.5216/mh.v26.83875
O hiper-romantismo em Leo brouwer características composicionais e narratividade em El decameron negro

Felipe Augusto Vieira da Silva
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DOI: https://doi.org/10.5216/mh.v26.81514
Eastern Philosophical Paradigms in Contemporary Piano Cycles: Structural-Semantic Dimensions

Dinara Tokmurziyeva, Prof. Gulnar Abdirakhman
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DOI: https://doi.org/10.5216/mh.v26.84923
Musical Education in Brazil: A Bibliometric Study of Scientific Production (1999-2024)

Gregorio Vicente-Nicolás, Eliton Perpetuo Rosa Pereira , Judith Sánchez Marroquí
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DOI: https://doi.org/10.5216/mh.v26.83617
The Teacher’s Role in the Self-Regulation of Seven- and Eight-Year-Old Students During a Process of Collective Musical Composition

Irene Fontdevila-Sibat, Laia Viladot
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DOI: https://doi.org/10.5216/mh.v26.84851
Emotion and meaning in the music of José Suñer-Oriola: approaches from the Neuroscience of Music

Javier Miranda Medina
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DOI: https://doi.org/10.5216/mh.v26.84802
la vida en cópias oder Musica Reciclata: Migration of Meanings, Transmediation, Self-citation and Musical Ekphrasis in Hybrid Electroacoustic Composition

Antonio Celso Ribeiro
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DOI: https://doi.org/10.5216/mh.v26.85175
Jangada and Medroso de Amor by Alberto Nepomuceno: a focus on senses and meanings from the perspective of Mikhail Bakhtin’s dialogism

Magda Miranda Clímaco, Ana Guiomar Rêgo Souza
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DOI: https://doi.org/10.5216/mh.v26.83277
The study of musical art as a factor in the preservation and development of cultural heritage

Abdulkhamit Raimbergenov, Yerkin Zhanaikhan, Dinara Zhanaikhan, Artur Povalyashko, Dmitriy Kovalev
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DOI: https://doi.org/10.5216/mh.v26.84759
Emotion regulation and stage anxiety management in Ruan students: Psychological interventions in performance education

Zhenzhen Jia
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DOI: https://doi.org/10.5216/mh.v26.85629
Innovations in traditional vocal techniques: The integration of historical performance and contemporary stage practices

Meruyet Mukhsiynova, Zulfiya Kassimova, Gaukhar Kaspakova, Janel Abeltayeva, Gaukhar Umirzakova
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DOI: https://doi.org/10.5216/mh.v26.83190
Folklore manifestation in the musical heritage of Komitas Vardapet and Heitor Villa-Lobos: A comparative study

Anna Adamyan
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DOI: https://doi.org/10.5216/mh.v26.85082
AI-Mediated Emotional Expressivity in Music Animation Pedagogy: A Cross-Domain Study of Affective-Cognitive Integration

Xin Qiu, Zhe Yuan Wei, Xun Liu, Yu Lin, Biao Qiu
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DOI: https://doi.org/10.5216/mh.v26.84689
Evolution and Adaptation of Tang Xianzu’s Works in Kunqu Opera Repertoire

Xinyu Hu, Jingyi Wang
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DOI: https://doi.org/10.5216/mh.v26.82985
Transmutation, Transformation, Transcendence: Exploring the ‘Shadow’ Technique in Lei Liang’s Music

Zhang Jiao
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DOI: https://doi.org/10.5216/mh.v26.85017
Collective Creation Process for a More Expressive Musical Interpretation an arrangement of João e Maria by Chico Buarque and Sivuca

Douglas da Costa Rufatto, Leonardo Piermartiri
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DOI: https://doi.org/10.5216/mh.v26.83965
Constructing a Generational Framework for Guzheng Practice in Malaysia: Social Location, Cultural Memory, and Transmission

Yu Zhang, Camellia Siti Maya Mohamed Razali
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DOI: https://doi.org/10.5216/mh.v26.85290
Critical Edition or Academic Edition? An Experience with 19th-Century Liturgical Music Manuscripts from the Main Cathedral of Cuenca (Ecuador)

Arleti María Molerio Rosa, Misael Moya Méndez
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DOI: https://doi.org/10.5216/mh.v26.82813
Transferencia de la formación docente universitaria al contexto escolar de proyectos musicales: análisis ecológico del aprendizaje Basado en Proyectos y Retos “Transfer of learning from initial teacher education to school practice through music projects: an ecological analysis of Project-Based and Challenge-Based learning”

Mercè Navarro, Patricia Silva Garcia, Diego Calderon Garrido
- PDF (Spanish)
DOI: https://doi.org/10.5216/mh.v26.84969
Trânsitos ibéricos e a chegada da Escola de Tárrega ao Brasil: Praxedes Gil-Orozco e o violão em São Paulo (1890–1907)

Flavia Prando
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DOI: https://doi.org/10.5216/mh.v26.82190
Musical-liturgical Traditions of the Proper of the Saints in the Convent of San Francisco de Quito

Jesús Estévez Monagas
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DOI: https://doi.org/10.5216/mh.v26.84930
Exploring the Regional Instruments of Iranian Folk Music

Amir Mohammad Siasi Nejad
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DOI: https://doi.org/10.5216/mh.v26.83769
Os currículos dos bacharelados em violão do estado de São Paulo uma análise frente a novos desafios

Guilherme Arce, José A. Rodríguez-Quiles
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DOI: https://doi.org/10.5216/mh.v26.84909
O ciclo 20 Estudos Populares Brasileiros para Violão de Geraldo Vespar contexto, análise e paralelos no repertório brasileiro

Paulo Cesar Martelli
- PDF (Portuguese (Brazil))
DOI: https://doi.org/10.5216/mh.v26.85226
Wind Bands in Brazil an integrative review of research published between 2021 and 2024

Jefferson Costa Silva, José Eduardo Costa Silva
- PDF (Portuguese (Brazil))
DOI: https://doi.org/10.5216/mh.v26.83400

Outras Palavras

Neurodiversity in Music Education: A Literature Review of Research on Autistic, ADHD, and Other Neurodivergent Learners

Francisco Veniel
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DOI: https://doi.org/10.5216/mh.v26.84704
Reseña de disco: Serpiente de Madera. Ana Tijoux. Victoria Producciones SpA, 2025.

Nelson Rodríguez Vega
- PDF (Spanish)
DOI: https://doi.org/10.5216/mh.v26.83311
Conrado Silva Listening to New Music

José Augusto Mannis, Janete El Haouli, Marta de Oliveira Fonterrada, Rodolfo Coelho de Souza, Anselmo Guerra, Ivan Eiji Simurra, Ajítenà Marco Scarassatti, Murilo Alves Pereira, André Domingues, Ana Roseli Paes dos Santos, Wilson Rogério dos Santos, Eliana Monteiro da Silva, Tato Taborda, Ana Lúcia Fontenele, Francisco Zmekhol Nascimento de Oliveira
- PDF (Portuguese (Brazil))
DOI: https://doi.org/10.5216/mh.v26.86294

Vol. 26 (2026)

Special Issue on the 19th Brazilian Symposium on Computer Music

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