Vol. 24 (2024)

View Vol. 24 (2024)

Published: 2024-09-13

Editorial

Música Hodie, Volume 24 Diversity of Approaches and the Expansion of Musical Research Frontiers

Anselmo Guerra
- PDF (Portuguese (Brazil))
DOI: https://doi.org/10.5216/mh.v24.82602

Artigos

Irony and the First Movement of Prokofiev’s Violin Sonata in F Minor (Op. 80)

Junda Wu
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DOI: https://doi.org/10.5216/mh.v24.79481
Movement and posture during marimba performance solo marimba works’ analysis and composition of technical exercises

Guilherme Massao Misina, Eduardo Lopes, Stephan Froleyks
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DOI: https://doi.org/10.5216/mh.v24.79758
The Emergent Properties of the Opera Genre in the Contemporary Musical Context

Olha Putiatytska, Olena Sakalo, Vira Artemievа, Dmytro Shchyrytsia, Olena Yakymchuk
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DOI: https://doi.org/10.5216/mh.v24.79940
Characteristics of nationalized creation of Chinese accordion music

Bai Yuqi: corresponding author, Fangyi Zang , Chao Peng, Ruichen Sun
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DOI: https://doi.org/10.5216/mh.v24.79406
Dialectical Fusionism and Hong Kong Contemporary Music A Study of Chan Wing-Wah's Symphonies 5, 7, and 8

Ting Yang, Ran Zhou
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DOI: https://doi.org/10.5216/mh.v24.80178
Música, teología y política en torno a Mozart entre la imagen del niño eterno y la idea de lo demoníaco

Daniel Martín Sáez
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DOI: https://doi.org/10.5216/mh.v24.78276
Training and Use of Contemporary Music by Conservatory Teachers in Spain

Miren Pérez Eizaguirre, Marta Martínez-Rodríguez, María Elena Cuenca Rodríguez, Raquel Pastor Prada
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DOI: https://doi.org/10.5216/mh.v24.78344
The Iranian National Musical Instruments and Their Techniques The Iranian National Musical Instruments and Their Techniques

Amir Mohammad Siasi Nejad
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DOI: https://doi.org/10.5216/mh.v24.80795
Advanced string instruments in the musical culture of Kazakhs, Kyrgyz, and UzbeksAdvanced string instruments in the musical culture of Kazakhs, Kyrgyz, and Uzbeks

Balzhan Junussova, Saule Utegalieva, Aiganym Shugay, Alibi Abdinurov, Maxat Medeubek
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DOI: https://doi.org/10.5216/mh.v24.79380
Kazakh traditional song and musical heritage of Abay

Saida Yelemanova
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DOI: https://doi.org/10.5216/mh.v24.78936
Improvement of Musical Technique in Playing Wind Instruments: Individual Approach and the Use of Digital Innovations

Tianlong Huang
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DOI: https://doi.org/10.5216/mh.v24.79319
Musical Folklore of Rugova: Insights into Song, Dance, and Cultural Heritage in Kosovo’s Highlanders Perspectivas sobre Canção, Dança e Patrimônio Cultural dos Habitantes das Montanhas de Kosovo

Arsim Kelmendi, Hysen Nimani
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DOI: https://doi.org/10.5216/mh.v24.77208
A prática musical organística no antigo Real Mosteiro de São Bento da Avé-Maria do Porto e a sua relação com o documento M[appa de registar o] Órgão da Biblioteca Nacional de Portugal

Marco Brescia, João Vaz
- PDF (Portuguese (Brazil))
DOI: https://doi.org/10.5216/mh.v24.79721
AMI: Algorithmic Music Interface

Francisco Colasanto, Rodrigo Sigal
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DOI: https://doi.org/10.5216/mh.v24.78922
La Enseñanza del Violín: un Estudio Exploratorio de las Concepciones Sobre los Procesos Educativos y el Perfil del Profesorado en Italia

Pierangela Palma, Carolina Bonastre
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DOI: https://doi.org/10.5216/mh.v24.78257
Musical performance and its deterritorializing force

Artur de Melo Miranda Azzi, Flavio Barbeitas, João Morales
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DOI: https://doi.org/10.5216/mh.v24.79155
A Critical Reflection on the Impact of String Instruments in Piano Performance: Insights from the Pianist's Perspective

Oscar Caravaca Gonzalez
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DOI: https://doi.org/10.5216/mh.v24.78343
Lilinha Fernandes e Quincas Laranjeiras: critérios para a edição diplomática de Andorinhas

Humberto Amorim
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DOI: https://doi.org/10.5216/mh.v24.78509
A utopia de Björk um ensaio sobre o referencial simbólico do álbum musical Utopia (2017)

Priscila Gonçalves Magossi, Jaimeson Machado Garcia
- PDF (Portuguese (Brazil))
DOI: https://doi.org/10.5216/mh.v24.79336
Entre o Passado e o Futuro A ópera contemporânea brasileira no século XXI

Homero Velho
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DOI: https://doi.org/10.5216/mh.v24.79006
Aprendizaje Basado en la Indagación (ABI): Diseño de una intervención educativa en Investigación Artística para alumnado de música en Educación Superior

Pedro Iglesias, Jesús Tejada
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DOI: https://doi.org/10.5216/mh.v24.80625
A A Thematic Analysis of Folk Music Education Trends, Technology, and Global Perspectives (2013–2023)

Pu Miao, Musib Ahmad Faudzi; Li Ji; Xiaoyu Jiang, Huang Wenhong
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DOI: https://doi.org/10.5216/mh.v24.79650
Synergy of traditions and technologies: Improving access to Chinese musical heritage through massive open online courses (MOOCS)

Xiaopeng Chen
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DOI: https://doi.org/10.5216/mh.v24.78925
The Change of Time Expression in 20th Century Music Creation and the System of Music Education

Yelin Zhang, Ning Sun
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DOI: https://doi.org/10.5216/mh.v24.80288
Optimizing the learning environment in music bands: a study on cognitive and sociocognitive processes

Jefferson Costa , Gleidson Jordan dos Santos
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DOI: https://doi.org/10.5216/mh.v24.79109
The Learning Communities project as a strategy to promote critical music education in schools

Antonio Fernández-Jiménez
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DOI: https://doi.org/10.5216/mh.v24.80030
“De vez em quando eu morro, mas hoje não”: Musicoterapia e processos emancipatórios de pessoas em situação de imigração involuntária ou refúgio

Andressa Dias Arndt
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DOI: https://doi.org/10.5216/mh.v24.78877
A “Viola quebrada” e a doce música: entre o Mário de Andrade cantor e o teórico : entre o Mário de Andrade cantor e o teórico

Pedro Razzante Vaccari
- PDF (Portuguese (Brazil))
DOI: https://doi.org/10.5216/mh.v24.78264
Sound and Sustainability: an experience in initial teacher training

Ana Urrutia
- PDF (Spanish)
DOI: https://doi.org/10.5216/mh.v24.79932
Entre lo Analógico-Digital y lo Underground-Mainstream. Las articulaciones del Rap de Santiago de Chile (1995-2000)

Sebastián Muñoz-Tapia, Nelson Rodríguez Vega
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DOI: https://doi.org/10.5216/mh.v24.80441
Collective musical composition in the training of generalist teachers: a qualitative and interpretative approach

Sandrina Milhano
- PDF (Portuguese (Brazil))
DOI: https://doi.org/10.5216/mh.v24.79588
Self-efficacy in musical performance: Towards humanising processes in assessment of learning

Betsabé Puebla Álvarez, Rolando Angel-Alvarado
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DOI: https://doi.org/10.5216/mh.v24.78393
La presencia de las mujeres en las orquestas sinfónicas españolas

Eli Arabaolaza Elorza, Gotzon Ibarretxe Txakartegi
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DOI: https://doi.org/10.5216/mh.v24.77177
The Musicality and Philosophical Connotations in the Jinti Poetry Yinsong of Tang Dynasty

Bo Xiao Yuan, Fung Ying Loo
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DOI: https://doi.org/10.5216/mh.v24.79713
As consoantes plosivas surdas no contexto da voz cantada: análise do Voice Onset Time (VOT) e sua relação com a inteligibilidade

Cristina de Souza Gusmão; Mônica Pedrosa de Pádua; Fabio Wanderley Janhan Sousa
- PDF (Portuguese (Brazil))
DOI: https://doi.org/10.5216/mh.v24.79644
Syntropic music definition, premises and pedagogical application

Sergio Leal
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DOI: https://doi.org/10.5216/mh.v24.79407
Between Technology and the Body: Data and Challenges During the Pandemic.

Thayná Xavier, Paulo Egídio Luckman, Rael Bertarelli Gimenes Toffolo
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DOI: https://doi.org/10.5216/mh.v24.78437
Instrumentos de Sopro na Reabilitação da Doença Pulmonar Obstrutiva Crônica: Uma Revisão de Escopo

Camila Siqueira Gouvêa Acosta Gonçalves, Paula Karina Hembecker, Gabriele Serur, Audrey Tieko Tsunoda, Percy Nohama
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DOI: https://doi.org/10.5216/mh.v24.79049
Music and the bodies that (do not) matter popular music reactions to state massacres

Letícia Porto Ribeiro, Marcello Messina
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DOI: https://doi.org/10.5216/mh.v24.78735

Dossier SiMN 2023 New Music

Quintal dos sons: Quintal dos sons: a bridge between Porto and the Vale do Jequitinhonha

Rosimária Sapucaia Rocha
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DOI: https://doi.org/10.5216/mh.v24.78493
Listening with machines, composing with birds on ‘nós, passarinho’, for flute and live-electronics

José Henrique Padovani
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DOI: https://doi.org/10.5216/mh.v24.78610
Episódios para uma história da gravação de campo no Brasil

Gustavo Branco Germano, Fernando Iazzetta
- PDF (Portuguese (Brazil))
DOI: https://doi.org/10.5216/mh.v24.78600
The Application of Somax2 in the Live-Electronics Design of Roberto Victório’s Chronos IIIc

William Teixeira, Marco Fiorini, Mikhail Malt, Gérard Assayag
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DOI: https://doi.org/10.5216/mh.v24.78611
Tecnomorfismo enquanto processo composicional em duas peças de Patricia Alessandrini

Ingrid Mayumi Yamazato de Souza, William Teixeira da Silva
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DOI: https://doi.org/10.5216/mh.v24.78608
The Resonator as a Model for Musical Textures in the Context of Instrumental Contemporary Composition

Rodolfo Valente
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DOI: https://doi.org/10.5216/mh.v24.78402
Solfèges, images, inventions The different paths of sound imaginary

Pedro Yugo Sano Mani, Vinícius Cesar de Oliveira, Silvio Ferraz
- PDF (Portuguese (Brazil))
DOI: https://doi.org/10.5216/mh.v24.78572
Interatividade na música eletrovocal e voz mítica: a dinâmica de co-criação entre compositor e intérprete em ambiente digital

Doriana Mendes, Ivan Simurra
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DOI: https://doi.org/10.5216/mh.v24.78617
Charles S. Peirce’s triadic semiotics and creativity in the interpretation of experimental music predication and form in the realization process of One for One by Jean-Luc Guionnet

Cristián Alvear, Juan Sebastián Lach Lau
- PDF (Spanish)
DOI: https://doi.org/10.5216/mh.v24.78403

Resenha

De Amélia Brandão Nery a Tia Amélia a incrível história da compositora e seu piano

Robervaldo Linhares Rosa, Thiago Leme Marconato
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