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  • MTV, musical success and alternative scene

    Valério Cruz Brittos e Ana Paola de Oliveira
    2007-11-07
    DOI: https://doi.org/10.5216/mh.v6i1.1874
  • Assessment of musical listening in post-tonal contexts: The case of temA (1968) by Helmut Lachenmann

    Natasha López Fernández, José L. Besada
    2025-10-23
    DOI: https://doi.org/10.5216/mh.v25.83491
  • Music, discourses and power: reflections on the hierarchy of knowledge

    Alexandre Ferreira
    2021-11-14
    DOI: https://doi.org/10.5216/mh.v20.59720
  • “Rukovet No.1” for choir (SATB) by Sla?ana Mari?

    Sla?ana Mari?
    2016-02-15
    DOI: https://doi.org/10.5216/mh.v15i2.39810
  • Statistical analysis of songs by composers of the Romantic era: A comparison of F. Schubert and his contemporaries

    Linlin Gao, He Shen, Chang Liu
    2021-11-14
    DOI: https://doi.org/10.5216/mh.v21.69875
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Keywords

  • tempo of performance
  • Musical analysis
  • expressiveness of the sound
  • intonation
  • teacher training
  • creativity
  • Classical music
  • intonation control
  • emotionality of singing
  • Black metal
  • Music Therapy; Interactive Technologies; Interactive Electronic Media
  • trills
  • musical performance
  • Computer music
  • vocal skills
  • virtual reality
  • rhythm
  • vibrato
  • music
  • Depressive disorder
  • experiment
  • Identity
  • opera
  • musical education
  • Oliver Messiaen
  • poetry, music, ancient sport
  • artificial intelligence
  • vocal apparatus
  • vibrating flow
  • improvisation
  • music education
  • Music therapy
  • Chinese music
  • motivation
  • digital technologies
  • contemporary music
  • control
  • composition
  • vocal
  • singing

ISSN 2317-6776 / 1676-3939 (print)

 

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