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  • A “comunicabilidade” de música (1944) para flauta e piano de césar guerra peixe

    Fábio Henrique Viana
    95-118
    2007-11-07
    DOI: https://doi.org/10.5216/mh.v6i2.1584
  • Os currículos dos bacharelados em violão do estado de São Paulo uma análise frente a novos desafios

    Guilherme Arce, José A. Rodríguez-Quiles
    2026-07-01
    DOI: https://doi.org/10.5216/mh.v26.84909
  • Os Sete Estudos brasileiros para Violão Solo de Carlos Alberto Pinto Fonseca: uma abordagem analítica sobre demandas técnicas

    Cristiano Braga de Oliveira e Daniel Wolff
    2013-03-27
    DOI: https://doi.org/10.5216/mh.v12i2.23344
  • Role of Digital Technologies in Analysis of Choral Performance: Mechanism of Processing Sound and Musical Piece

    Sergiy Prokopov
    2026-05-29
    DOI: https://doi.org/10.5216/mh.v26.84770
  • The evolution of song folklore and its influence on the development of the national musical tradition

    Baglan Babizhan, Aigul Kossanova, Zaure Smakova, Aigul Imasheva, Aigul Baibek
    2026-05-04
    DOI: https://doi.org/10.5216/mh.v26.84763
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Keywords

  • tempo of performance
  • Musical analysis
  • expressiveness of the sound
  • intonation
  • teacher training
  • creativity
  • Classical music
  • intonation control
  • emotionality of singing
  • Black metal
  • Music Therapy; Interactive Technologies; Interactive Electronic Media
  • trills
  • musical performance
  • Computer music
  • vocal skills
  • virtual reality
  • rhythm
  • vibrato
  • music
  • Depressive disorder
  • experiment
  • Identity
  • opera
  • musical education
  • Oliver Messiaen
  • poetry, music, ancient sport
  • artificial intelligence
  • vocal apparatus
  • vibrating flow
  • improvisation
  • music education
  • Music therapy
  • Chinese music
  • motivation
  • digital technologies
  • contemporary music
  • control
  • composition
  • vocal
  • singing

ISSN 2317-6776 / 1676-3939 (print)

 

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