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  • Stylistic deviations in Choro Torturado by Camargo Guarnieri

    Elaine Milazzo e Any Raquel Carvalho
    2008-05-18
    DOI: https://doi.org/10.5216/mh.v4i2.3932
  • The Application of Somax2 in the Live-Electronics Design of Roberto Victório’s Chronos IIIc

    William Teixeira, Marco Fiorini, Mikhail Malt, Gérard Assayag
    2024-12-17
    DOI: https://doi.org/10.5216/mh.v24.78611
  • The maracá in the beginning of european contact: its role in tupinambá society as a religious token and musical instrument

    Eduardo Sola Chagas Lima
    2016-02-15
    DOI: https://doi.org/10.5216/mh.v15i2.39786
  • Between Technology and the Body: Data and Challenges During the Pandemic.

    Thayná Xavier, Paulo Egídio Luckman, Rael Bertarelli Gimenes Toffolo
    2024-09-18
    DOI: https://doi.org/10.5216/mh.v24.78437
  • O Uso Idiomático dos Instrumentos de Percussão Brasileiros: principais sistemas notacionais para o pandeiro brasileiro

    Eduardo F. Gianesella
    2013-03-27
    DOI: https://doi.org/10.5216/mh.v12i2.23359
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Keywords

  • tempo of performance
  • Musical analysis
  • expressiveness of the sound
  • intonation
  • teacher training
  • creativity
  • Classical music
  • intonation control
  • emotionality of singing
  • Black metal
  • Music Therapy; Interactive Technologies; Interactive Electronic Media
  • trills
  • musical performance
  • Computer music
  • vocal skills
  • virtual reality
  • rhythm
  • vibrato
  • music
  • Depressive disorder
  • experiment
  • Identity
  • opera
  • musical education
  • Oliver Messiaen
  • poetry, music, ancient sport
  • artificial intelligence
  • vocal apparatus
  • vibrating flow
  • improvisation
  • music education
  • Music therapy
  • Chinese music
  • motivation
  • digital technologies
  • contemporary music
  • control
  • composition
  • vocal
  • singing

ISSN 2317-6776 / 1676-3939 (print)

 

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