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  • Characteristics of nationalized creation of Chinese accordion music

    Bai Yuqi: corresponding author, Fangyi Zang , Chao Peng, Ruichen Sun
    2025-09-09
    DOI: https://doi.org/10.5216/mh.v24.79406
  • Musical Analysis of the Prelude N.1, La Colombe, by Olivier Messiaen

    Adriana Lopes da Cunha Moreira
    2010-12-23
    DOI: https://doi.org/10.5216/mh.v10i1.12819
  • Comparative Analysis of the Performance of Tchaikovsky’s Violin Concerto in D Major Opus 35 on Prima Kobyz and Violin

    Aiganym Shugay, Aizada Bultbayeva, Shoyista Ganikhanova, Zhaidargul Kazybekova, Nazym Shegebayeva
    2025-09-25
    DOI: https://doi.org/10.5216/mh.v25.83183
  • Um Modelo de Kalimba em Csound Usado em O Livro dos Sons

    Rodolfo Coelho de Souza
    2012-12-17
    DOI: https://doi.org/10.5216/mh.v11i1.21668
  • Exploring the Regional Instruments of Iranian Folk Music

    Amir Mohammad Siasi Nejad
    2026-02-25
    DOI: https://doi.org/10.5216/mh.v26.83769
106 - 110 of 166 items << < 17 18 19 20 21 22 23 24 25 26 > >> 

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Keywords

  • tempo of performance
  • Musical analysis
  • expressiveness of the sound
  • intonation
  • teacher training
  • creativity
  • Classical music
  • intonation control
  • emotionality of singing
  • Black metal
  • Music Therapy; Interactive Technologies; Interactive Electronic Media
  • trills
  • musical performance
  • Computer music
  • vocal skills
  • virtual reality
  • rhythm
  • vibrato
  • music
  • Depressive disorder
  • experiment
  • Identity
  • opera
  • musical education
  • Oliver Messiaen
  • poetry, music, ancient sport
  • artificial intelligence
  • vocal apparatus
  • vibrating flow
  • improvisation
  • music education
  • Music therapy
  • Chinese music
  • motivation
  • digital technologies
  • contemporary music
  • control
  • composition
  • vocal
  • singing

ISSN 2317-6776 / 1676-3939 (print)

 

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