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  • Introverso e suas Outras Músicas

    Bruno Angelo
    2013-08-21
    DOI: https://doi.org/10.5216/mh.v13i1.26123
  • Interpretação Mediada: pontos de referência, modelos e processos criativos

    Jônatas Manzolli
    2013-08-08
    DOI: https://doi.org/10.5216/mh.v13i1.25773
  • MUSICAL PREFERENCES OF HIGH SCHOOL STUDENTS IN BRAZIL: THE CASE OF VITÓRIA, ESPÍRITO SANTO

    João Fortunato Soares de Quadros Júnior e Oswaldo Lorenzo Quiles
    2010-12-25
    DOI: https://doi.org/10.5216/mh.v10i1.12829
  • O Intérprete (Re)Situado: uma reflexão sobre construção de sentido e técnica na criação de “Intervenções para Piano Expandido, Interfaces e Imagens – Centenário John Cage”

    Catarina Leite Domenici
    2013-03-27
    DOI: https://doi.org/10.5216/mh.v12i2.23356
  • Composição Musical e Intersemiose: processos composicionais em ação

    Daniel Quaranta
    2013-08-13
    DOI: https://doi.org/10.5216/mh.v13i1.25825
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Keywords

  • tempo of performance
  • Musical analysis
  • expressiveness of the sound
  • intonation
  • teacher training
  • creativity
  • Classical music
  • intonation control
  • emotionality of singing
  • Black metal
  • Music Therapy; Interactive Technologies; Interactive Electronic Media
  • trills
  • musical performance
  • Computer music
  • vocal skills
  • virtual reality
  • rhythm
  • vibrato
  • music
  • Depressive disorder
  • experiment
  • Identity
  • opera
  • musical education
  • Oliver Messiaen
  • poetry, music, ancient sport
  • artificial intelligence
  • vocal apparatus
  • vibrating flow
  • improvisation
  • music education
  • Music therapy
  • Chinese music
  • motivation
  • digital technologies
  • contemporary music
  • control
  • composition
  • vocal
  • singing

ISSN 2317-6776 / 1676-3939 (print)

 

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