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  • Self-organization in silent films manuals The musician as a creative and informational agent

    Eduardo D'Urso Hebling, Jônatas Manzolli
    2022-08-06
    DOI: https://doi.org/10.5216/mh.v22.70536
  • Lets play that Impulses of a Tropical Serialism in Jards Macalé

    Carlos Roberto Ferreira dos Santos, Manuel Silveira Falleiros
    2023-08-27
    DOI: https://doi.org/10.5216/mh.v23.73991
  • A Sonata n. 10 para Piano de Almeida Prado: relações intertextuais e composicionais entre a obra e o poema As Rosas de Rainer Rilke

    Ernesto Hartmann
    2013-08-14
    DOI: https://doi.org/10.5216/mh.v13i1.25826
  • Seguimiento Continuo de Infinitos Puntos..., by Sebastián Jatz: listening as a way of interrogating the place where the music occurs

    Santiago Astaburuaga Peña
    2023-05-28
    DOI: https://doi.org/10.5216/mh.v23.74061
  • A Escrita Idiomática de Salvador Amato para o Contrabaixo

    Rodrigo Olivárez
    2015-10-22
    DOI: https://doi.org/10.5216/mh.v14i2.38198
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Keywords

  • tempo of performance
  • Musical analysis
  • expressiveness of the sound
  • intonation
  • teacher training
  • creativity
  • Classical music
  • intonation control
  • emotionality of singing
  • Black metal
  • Music Therapy; Interactive Technologies; Interactive Electronic Media
  • trills
  • musical performance
  • Computer music
  • vocal skills
  • virtual reality
  • rhythm
  • vibrato
  • music
  • Depressive disorder
  • experiment
  • Identity
  • opera
  • musical education
  • Oliver Messiaen
  • poetry, music, ancient sport
  • artificial intelligence
  • vocal apparatus
  • vibrating flow
  • improvisation
  • music education
  • Music therapy
  • Chinese music
  • motivation
  • digital technologies
  • contemporary music
  • control
  • composition
  • vocal
  • singing

ISSN 2317-6776 / 1676-3939 (print)

 

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