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  • Mário de Andrade and the formation of Brazilian Musical Critique in the Press

    Liliana Bollos Bollos
    119-132
    2007-11-07
    DOI: https://doi.org/10.5216/mh.v6i2.1581
  • ‘A Menina Exausta’ by Cláudio Santoro: a structural, aesthetic and ideoligical analisys

    Taís Helena Palhares
    2007-11-07
    DOI: https://doi.org/10.5216/mh.v5i2.2281
  • STRAVINSKY: THE PROGRESS OF A METHOD

    Edward T. Cone
    2007-11-07
    DOI: https://doi.org/10.5216/mh.v7i1.1738
  • REFLECTIONS ON PIANO STUDENTS MUSICAL INTERPRETATION AND THE COMMUNICATION OF EMOTIONS

    Cristina Capparelli Gerling, Regina Antunes Teixeira dos Santos e Catarina Domenici
    2008-08-16
    DOI: https://doi.org/10.5216/mh.v8i1.4561
  • Demonstração Inicial da Aplicação da Quinta Categoria Analítica de Joachim Burmeister em Lamentatio Prima Primi Diei (Lamentationes Hieremiae Prophetae à 5 – München 1585) de Orlando Di Lasso

    Áurea Helena de Jesus Ambiel
    2013-01-02
    DOI: https://doi.org/10.5216/mh.v9i3-Esp.21993
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Keywords

  • tempo of performance
  • Musical analysis
  • expressiveness of the sound
  • intonation
  • teacher training
  • creativity
  • Classical music
  • intonation control
  • emotionality of singing
  • Black metal
  • Music Therapy; Interactive Technologies; Interactive Electronic Media
  • trills
  • musical performance
  • Computer music
  • vocal skills
  • virtual reality
  • rhythm
  • vibrato
  • music
  • Depressive disorder
  • experiment
  • Identity
  • opera
  • musical education
  • Oliver Messiaen
  • poetry, music, ancient sport
  • artificial intelligence
  • vocal apparatus
  • vibrating flow
  • improvisation
  • music education
  • Music therapy
  • Chinese music
  • motivation
  • digital technologies
  • contemporary music
  • control
  • composition
  • vocal
  • singing

ISSN 2317-6776 / 1676-3939 (print)

 

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