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  • Listening with machines, composing with birds on ‘nós, passarinho’, for flute and live-electronics

    José Henrique Padovani
    2024-09-18
    DOI: https://doi.org/10.5216/mh.v24.78610
  • “O azeite, a lua e o rio”: o segundo diário de bordo de uma composição a partir de descritores de áudio

    Ivan Eiji Simurra, Jônatas Manzolli
    2016-09-08
    DOI: https://doi.org/10.5216/mh.v16i1.43097
  • AMI: Algorithmic Music Interface

    Francisco Colasanto, Rodrigo Sigal
    2024-10-24
    DOI: https://doi.org/10.5216/mh.v24.78922
  • Advanced string instruments in the musical culture of Kazakhs, Kyrgyz, and UzbeksAdvanced string instruments in the musical culture of Kazakhs, Kyrgyz, and Uzbeks

    Balzhan Junussova, Saule Utegalieva, Aiganym Shugay, Alibi Abdinurov, Maxat Medeubek
    2024-10-01
    DOI: https://doi.org/10.5216/mh.v24.79380
  • Criatividade Musical Cotidiana: estudo exploratório de atividades musicais ubíquas

    Floriano P. da Silva, Damián Keller, Edemilson F. da Silva
    2013-08-08
    DOI: https://doi.org/10.5216/mh.v13i1.25774
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Keywords

  • tempo of performance
  • Musical analysis
  • expressiveness of the sound
  • intonation
  • teacher training
  • creativity
  • Classical music
  • intonation control
  • emotionality of singing
  • Black metal
  • Music Therapy; Interactive Technologies; Interactive Electronic Media
  • trills
  • musical performance
  • Computer music
  • vocal skills
  • virtual reality
  • rhythm
  • vibrato
  • music
  • Depressive disorder
  • experiment
  • Identity
  • opera
  • musical education
  • Oliver Messiaen
  • poetry, music, ancient sport
  • artificial intelligence
  • vocal apparatus
  • vibrating flow
  • improvisation
  • music education
  • Music therapy
  • Chinese music
  • motivation
  • digital technologies
  • contemporary music
  • control
  • composition
  • vocal
  • singing

ISSN 2317-6776 / 1676-3939 (print)

 

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