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• Emotion and meaning in the music of José Suñer-Oriola: approaches from the Neuroscience of Music

  Javier Miranda Medina

  2026-05-30

  DOI: https://doi.org/10.5216/mh.v26.84802

• A model for figured bass realization: 2nd moviment of the B minor Sonata BWV 1030 for flute and harpsichord obbligato by J. S. Bach

  Stella Almeida

  2007-11-07

  DOI: https://doi.org/10.5216/mh.v6i1.1663

• Synthesizing Tradition: Physical Modeling and Composition with the Colombian Gaita

  Juan Felipe Vasquez Rincon, Danilo Rossetti

  2026-07-09

  DOI: https://doi.org/10.5216/mh.v26.85239

• Dialectical Fusionism and Hong Kong Contemporary Music A Study of Chan Wing-Wah's Symphonies 5, 7, and 8

  Ting Yang, Ran Zhou

  2024-12-18

  DOI: https://doi.org/10.5216/mh.v24.80178

• Assessment of musical listening in post-tonal contexts: The case of temA (1968) by Helmut Lachenmann

  Natasha López Fernández, José L. Besada

  2025-10-23

  DOI: https://doi.org/10.5216/mh.v25.83491