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  • Proto-história , Evolução e Situação Atual das Técnicas Estendidas na Criação Musical e na Performance

    José Henrique Padovani e Silvio Ferraz
    2012-12-19
    DOI: https://doi.org/10.5216/mh.v11i2.21752
  • Chinese Art of Playing the Bamboo Flute: the Differences in Acoustic Parameters When Performing Music of Contemporary Chinese Composers and the Influence of the National Compositional Tradition

    Zongke Xu
    2023-02-26
    DOI: https://doi.org/10.5216/mh.v22.73248
  • FOR PHILIP GUSTON BY MORTON FELDMAN: REHEARSALS AND PERFORMANCE – OR HOW TO SURVIVE FOUR HOURS OF MUSIC

    Luciane Cardassi
    2008-08-24
    DOI: https://doi.org/10.5216/mh.v8i1.4602
  • Emotional expression in vocal skill from the perspective of multiculturalism

    Di Wang
    2022-11-09
    DOI: https://doi.org/10.5216/mh.v22.73655
  • MUSICIAN-PROFESSOR: A COMPLEX MATTER

    Scheilla Glaser e Marisa Fonterrada
    2007-11-07
    DOI: https://doi.org/10.5216/mh.v7i1.1741
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Keywords

  • tempo of performance
  • Musical analysis
  • expressiveness of the sound
  • intonation
  • teacher training
  • creativity
  • Classical music
  • intonation control
  • emotionality of singing
  • Black metal
  • Music Therapy; Interactive Technologies; Interactive Electronic Media
  • trills
  • musical performance
  • Computer music
  • vocal skills
  • virtual reality
  • rhythm
  • vibrato
  • music
  • Depressive disorder
  • experiment
  • Identity
  • opera
  • musical education
  • Oliver Messiaen
  • poetry, music, ancient sport
  • artificial intelligence
  • vocal apparatus
  • vibrating flow
  • improvisation
  • music education
  • Music therapy
  • Chinese music
  • motivation
  • digital technologies
  • contemporary music
  • control
  • composition
  • vocal
  • singing

ISSN 2317-6776 / 1676-3939 (print)

 

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