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  • The Piano Concerto in Portugal: a Brief Overview

    Nancy Lee Harper
    2010-12-22
    DOI: https://doi.org/10.5216/mh.v10i1.12818
  • What you have almost forgotten (Notes)

    Peter Askim
    2012-08-24
    DOI: https://doi.org/10.5216/mh.v4i1.19805
  • Mare Ignotum: un acercamiento artográfico a la interpretación creativa de música contemporánea en el aula de Educación Secundaria

    Miriam Sanz-Ortega, Carlos Lage-Gómez
    2025-09-09
    DOI: https://doi.org/10.5216/mh.v25.82721
  • Transmutation, Transformation, Transcendence: Exploring the ‘Shadow’ Technique in Lei Liang’s Music

    Zhang Jiao
    2026-04-21
    DOI: https://doi.org/10.5216/mh.v26.85017
  • The Argentine musician Adolfo Reisin and the aesthetics of collective improvisation

    Daniel Moro Vallina
    2021-11-14
    DOI: https://doi.org/10.5216/mh.v21.69159
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Keywords

  • tempo of performance
  • Musical analysis
  • expressiveness of the sound
  • intonation
  • teacher training
  • creativity
  • Classical music
  • intonation control
  • emotionality of singing
  • Black metal
  • Music Therapy; Interactive Technologies; Interactive Electronic Media
  • trills
  • musical performance
  • Computer music
  • vocal skills
  • virtual reality
  • rhythm
  • vibrato
  • music
  • Depressive disorder
  • experiment
  • Identity
  • opera
  • musical education
  • Oliver Messiaen
  • poetry, music, ancient sport
  • artificial intelligence
  • vocal apparatus
  • vibrating flow
  • improvisation
  • music education
  • Music therapy
  • Chinese music
  • motivation
  • digital technologies
  • contemporary music
  • control
  • composition
  • vocal
  • singing

ISSN 2317-6776 / 1676-3939 (print)

 

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