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  • Interpretação Mediada: pontos de referência, modelos e processos criativos

    Jônatas Manzolli
    2013-08-08
    DOI: https://doi.org/10.5216/mh.v13i1.25773
  • The Application of Somax2 in the Live-Electronics Design of Roberto Victório’s Chronos IIIc

    William Teixeira, Marco Fiorini, Mikhail Malt, Gérard Assayag
    2024-12-17
    DOI: https://doi.org/10.5216/mh.v24.78611
  • The Integration of Digital Technologies in Secondary Music Education from Teachers' Perspectives: A Scoping Review

    Alicia Franch Belmonte, Diego Calderón-Garrido, Ana M. Vernia Carrasco
    2025-09-02
    DOI: https://doi.org/10.5216/mh.v25.82088
  • Diferenças estéticas étnicas na ontologia da música xamânica no contexto do pós-modernismo: Uma comparação entre a Coreia do Sul e a China

    Fan chang, Johee Lee, Fei Li
    2026-02-04
    DOI: https://doi.org/10.5216/mh.v26.83273
  • Una Aproximación a la Música Brasileña: géneros e historia

    Santiago Pérez Aldeguer
    2013-04-04
    DOI: https://doi.org/10.5216/mh.v12i2.23523
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Keywords

  • tempo of performance
  • Musical analysis
  • expressiveness of the sound
  • intonation
  • teacher training
  • creativity
  • Classical music
  • intonation control
  • emotionality of singing
  • Black metal
  • Music Therapy; Interactive Technologies; Interactive Electronic Media
  • trills
  • musical performance
  • Computer music
  • vocal skills
  • virtual reality
  • rhythm
  • vibrato
  • music
  • Depressive disorder
  • experiment
  • Identity
  • opera
  • musical education
  • Oliver Messiaen
  • poetry, music, ancient sport
  • artificial intelligence
  • vocal apparatus
  • vibrating flow
  • improvisation
  • music education
  • Music therapy
  • Chinese music
  • motivation
  • digital technologies
  • contemporary music
  • control
  • composition
  • vocal
  • singing

ISSN 2317-6776 / 1676-3939 (print)

 

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