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  • Movement and posture during marimba performance solo marimba works’ analysis and composition of technical exercises

    Guilherme Massao Misina, Eduardo Lopes, Stephan Froleyks
    2024-10-01
    DOI: https://doi.org/10.5216/mh.v24.79758
  • The adaptation of folk songs in the choral works of Kosovar composers

    Arsim Kelmendi
    2026-05-11
    DOI: https://doi.org/10.5216/mh.v26.85135
  • The Role of the Violin and Its Elements in Chinese Opera

    Qin Yu Fu
    2023-05-04
    DOI: https://doi.org/10.5216/mh.v23.72254
  • Innovations in traditional vocal techniques: The integration of historical performance and contemporary stage practices

    Meruyet Mukhsiynova, Zulfiya Kassimova, Gaukhar Kaspakova, Janel Abeltayeva, Gaukhar Umirzakova
    2026-02-04
    DOI: https://doi.org/10.5216/mh.v26.83190
  • Lutoslawski's Approach to Sound Masses And Form In Livre Pour Orchestre

    Eli-Eri Moura
    2012-08-22
    DOI: https://doi.org/10.5216/mh.v4i1.19781
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Keywords

  • tempo of performance
  • Musical analysis
  • expressiveness of the sound
  • intonation
  • teacher training
  • creativity
  • Classical music
  • intonation control
  • emotionality of singing
  • Black metal
  • Music Therapy; Interactive Technologies; Interactive Electronic Media
  • trills
  • musical performance
  • Computer music
  • vocal skills
  • virtual reality
  • rhythm
  • vibrato
  • music
  • Depressive disorder
  • experiment
  • Identity
  • opera
  • musical education
  • Oliver Messiaen
  • poetry, music, ancient sport
  • artificial intelligence
  • vocal apparatus
  • vibrating flow
  • improvisation
  • music education
  • Music therapy
  • Chinese music
  • motivation
  • digital technologies
  • contemporary music
  • control
  • composition
  • vocal
  • singing

ISSN 2317-6776 / 1676-3939 (print)

 

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