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  • Jazz improvisation: Achieving a high aesthetic level during vocal education

    Kechao Wang
    2025-11-15
    DOI: https://doi.org/10.5216/mh.v25.82965
  • O formante do cantor e os ajustes laríngeos e supralaríngeos em cantores barítonos: uma investigação acústica e fibronasolaringoscopica

    Cristina de Souza Gusmão, Mônica Pedrosa de Pádua, Mariana Oliveira Maia
    DOI: https://doi.org/10.5216/mh.v16i2.47157
  • Proto-história , Evolução e Situação Atual das Técnicas Estendidas na Criação Musical e na Performance

    José Henrique Padovani e Silvio Ferraz
    2012-12-19
    DOI: https://doi.org/10.5216/mh.v11i2.21752
  • Giuseppe Millico and La pietà d’amore: from Naples to Lisbon to Rio de Janeiro

    David Cranmer
    2016-09-08
    DOI: https://doi.org/10.5216/mh.v16i1.43048
  • Digital transformation of musical and choreographic art: Preserving national archetypes

    Viktoriia Kashaiuk, Svitlana Panasiuk, Ihor Stepaniuk, Hanna Kukharyk, Lesia Kosakovska
    2025-11-24
    DOI: https://doi.org/10.5216/mh.v25.83843
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Keywords

  • tempo of performance
  • Musical analysis
  • expressiveness of the sound
  • intonation
  • teacher training
  • creativity
  • Classical music
  • intonation control
  • emotionality of singing
  • Black metal
  • Music Therapy; Interactive Technologies; Interactive Electronic Media
  • trills
  • musical performance
  • Computer music
  • vocal skills
  • virtual reality
  • rhythm
  • vibrato
  • music
  • Depressive disorder
  • experiment
  • Identity
  • opera
  • musical education
  • Oliver Messiaen
  • poetry, music, ancient sport
  • artificial intelligence
  • vocal apparatus
  • vibrating flow
  • improvisation
  • music education
  • Music therapy
  • Chinese music
  • motivation
  • digital technologies
  • contemporary music
  • control
  • composition
  • vocal
  • singing

ISSN 2317-6776 / 1676-3939 (print)

 

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