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  • A Música Coral dos Primórdios do Século XX aos Primórdios do Século XXI: a Composição para Coros e a Performance do Repertório Moderno/Contemporâneo

    Angelo José Fernandes e Adriana Giarola Kayama
    2012-12-21
    DOI: https://doi.org/10.5216/mh.v11i2.21808
  • Reflexão sobre o ensino de canto para alunos de um curso de licenciatura em teatro

    Maurício Machado Mangini
    2014-01-22
    DOI: https://doi.org/10.5216/mh.v13i2.28012
  • INVESTIGATION ABOUT EXPIRATORY FLOW IN SUNG AND SPOKEN EMISSION OF VOWELS OF THE PORTUGUESE IN BRAZILIAN LYRIC SINGERS

    Rita de Cássia Fucci Amato
    2007-11-07
    DOI: https://doi.org/10.5216/mh.v7i1.1757
  • SCIENCE AND ART – THEORY AND MUSICAL EXPERIENCE AS AN ASSISTANCE TO SPEECH THERAPIST EDUCATION

    Maria Cláudia Mendes Caminha Muniz Charleston Teixeira Palmeira
    2008-08-16
    DOI: https://doi.org/10.5216/mh.v8i1.4564
  • VOICE AND CORPORALITY ACCORDING TO CHOIR SINGERS’ PERCEPTION

    Adriana Braga e Patrícia Pederiva
    43-52
    2008-02-04
    DOI: https://doi.org/10.5216/mh.v7i2.3299
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Keywords

  • tempo of performance
  • Musical analysis
  • expressiveness of the sound
  • intonation
  • teacher training
  • creativity
  • Classical music
  • intonation control
  • emotionality of singing
  • Black metal
  • Music Therapy; Interactive Technologies; Interactive Electronic Media
  • trills
  • musical performance
  • Computer music
  • vocal skills
  • virtual reality
  • rhythm
  • vibrato
  • music
  • Depressive disorder
  • experiment
  • Identity
  • opera
  • musical education
  • Oliver Messiaen
  • poetry, music, ancient sport
  • artificial intelligence
  • vocal apparatus
  • vibrating flow
  • improvisation
  • music education
  • Music therapy
  • Chinese music
  • motivation
  • digital technologies
  • contemporary music
  • control
  • composition
  • vocal
  • singing

ISSN 2317-6776 / 1676-3939 (print)

 

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