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  • THE PROCESS OF SOCIALIZATION IN THE SING CHOIR: A STUDY ABOUT THE PERSONAL, INTERPERSONAL AND COMMUNITARIAN DIMENSIONS

    Éliton Pereira e Miriã Vasconcelos
    2007-11-07
    DOI: https://doi.org/10.5216/mh.v7i1.1763
  • Quarteto de Cordas nº 02 de Villa-Lobos: Diálogo com a forma cíclica de Franck, Debussy e Ravel

    Paulo de Tarso Salles
    2012-09-18
    DOI: https://doi.org/10.5216/mh.v12i1.20175
  • O Arcabouço de uma Proposta de Metodologia Analítica para o Tonalismo do Século XIX: uma revisão taxonômica da teoria da modulação

    Marcus Alessi Bittencourt
    2013-08-12
    DOI: https://doi.org/10.5216/mh.v13i1.25811
  • Assessment of musical listening in post-tonal contexts: The case of temA (1968) by Helmut Lachenmann

    Natasha López Fernández, José L. Besada
    2025-10-23
    DOI: https://doi.org/10.5216/mh.v25.83491
  • O Contrabaixo: um Instrumento Musical do Nosso Tempo

    Bertram Turetzky - Tradução de Fausto Borém
    2015-10-20
    DOI: https://doi.org/10.5216/mh.v14i2.38143
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Keywords

  • tempo of performance
  • Musical analysis
  • expressiveness of the sound
  • intonation
  • teacher training
  • creativity
  • Classical music
  • intonation control
  • emotionality of singing
  • Black metal
  • Music Therapy; Interactive Technologies; Interactive Electronic Media
  • trills
  • musical performance
  • Computer music
  • vocal skills
  • virtual reality
  • rhythm
  • vibrato
  • music
  • Depressive disorder
  • experiment
  • Identity
  • opera
  • musical education
  • Oliver Messiaen
  • poetry, music, ancient sport
  • artificial intelligence
  • vocal apparatus
  • vibrating flow
  • improvisation
  • music education
  • Music therapy
  • Chinese music
  • motivation
  • digital technologies
  • contemporary music
  • control
  • composition
  • vocal
  • singing

ISSN 2317-6776 / 1676-3939 (print)

 

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