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  • ‘A Menina Exausta’ by Cláudio Santoro: a structural, aesthetic and ideoligical analisys

    Taís Helena Palhares
    2007-11-07
    DOI: https://doi.org/10.5216/mh.v5i2.2281
  • F eminine Voice in the opera oF Jules massenet: Vocal characteristics and adJustment

    Nadja Barbosa de Sousa, Enio Lopes Mello e Marta Assumpção de Andrada e Silva
    2010-12-23
    DOI: https://doi.org/10.5216/mh.v10i1.12824
  • Revealing Pedagogical Insights: National Elements in the Vocal Education of Contemporary Chinese Popular and Classical Music Performers

    Yan Xia
    2025-11-18
    DOI: https://doi.org/10.5216/mh.v25.82986
  • The genesis of opera singing in Ukrainian chamber vocal music

    Natalia Kadanceva, Tetiana Kablova, Yeyu Liu
    2023-05-04
    DOI: https://doi.org/10.5216/mh.v23.73975
  • Belting, mixed voice and chest voice in popular singing A state of the art between vocal technique and physiology

    Thiago Pessanha, Elenisio Rodrigues
    2025-08-29
    DOI: https://doi.org/10.5216/mh.v25.82488
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Keywords

  • tempo of performance
  • Musical analysis
  • expressiveness of the sound
  • intonation
  • teacher training
  • creativity
  • Classical music
  • intonation control
  • emotionality of singing
  • Black metal
  • Music Therapy; Interactive Technologies; Interactive Electronic Media
  • trills
  • musical performance
  • Computer music
  • vocal skills
  • virtual reality
  • rhythm
  • vibrato
  • music
  • Depressive disorder
  • experiment
  • Identity
  • opera
  • musical education
  • Oliver Messiaen
  • poetry, music, ancient sport
  • artificial intelligence
  • vocal apparatus
  • vibrating flow
  • improvisation
  • music education
  • Music therapy
  • Chinese music
  • motivation
  • digital technologies
  • contemporary music
  • control
  • composition
  • vocal
  • singing

ISSN 2317-6776 / 1676-3939 (print)

 

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