Vol. 6 No. 1 (2006)

• Editorial e Expediente 6.1

  • PDF (Portuguese (Brazil))
  • HTML (Portuguese (Brazil))

  DOI: https://doi.org/10.5216/mh.v6i1.20524

Editorial

• E d i t o r i a l

  Sonia Ray

  • PDF (Portuguese (Brazil))
  • HTML (Portuguese (Brazil))

  DOI: https://doi.org/10.5216/mh.v6i1.1868

Artigos

• HUMOR´S COMMON PLACE IN HAYDN

  Mônica Lucas

  • PDF (Portuguese (Brazil))
  • HTML (Portuguese (Brazil))

  DOI: https://doi.org/10.5216/mh.v6i1.1662

• A model for figured bass realization: 2nd moviment of the B minor Sonata BWV 1030 for flute and harpsichord obbligato by J. S. Bach

  Stella Almeida

  • PDF (Portuguese (Brazil))
  • HTML (Portuguese (Brazil))

  DOI: https://doi.org/10.5216/mh.v6i1.1663

• Analysis of Some Musical-Rhetoric Aspects of “Domine Deus Agnus Dei” of Gloria RV 589 by Antonio Vivaldi

  Ana Carolina Rodrigues

  • PDF (Portuguese (Brazil))
  • HTML (Portuguese (Brazil))

  DOI: https://doi.org/10.5216/mh.v6i1.1848

• Today’s Choral Practice: sonority, interpretation and vocal technique

  Angelo José Fernandes, Adriana Giarola Kayama e Eduardo Augusto Östergren

  • PDF (Portuguese (Brazil))
  • HTML

  DOI: https://doi.org/10.5216/mh.v6i1.1865

• Pianistic education: The pedagogic rigour of the conservatories

  Rita de Cássia Fucci Amato

  • PDF (Portuguese (Brazil))
  • HTML (Portuguese (Brazil))

  DOI: https://doi.org/10.5216/mh.v6i1.1866

• MTV, musical success and alternative scene

  Valério Cruz Brittos e Ana Paola de Oliveira

  • PDF (Portuguese (Brazil))
  • HTML (Portuguese (Brazil))

  DOI: https://doi.org/10.5216/mh.v6i1.1874

Resenha

• A BARCA: TRILHA, TOADA E TRUPÉ

  Sonia Ray

  • PDF (Portuguese (Brazil))
  • HTML (Portuguese (Brazil))

  DOI: https://doi.org/10.5216/mh.v6i1.1878

Primeira Impressão

• ToCatchita

  Daniel Wolff

  • PDF (Portuguese (Brazil))
  • HTML (Portuguese (Brazil))

  DOI: https://doi.org/10.5216/mh.v6i1.1875

Primeira Audição

• MÁRIO DE ANDRADE: DUAS ABORDAGENS CONTEMPORÂNEAS

  Sonia Ray

  • PDF (Portuguese (Brazil))
  • HTML (Portuguese (Brazil))
  • MP3-FAIXA 1 (Portuguese (Brazil))
  • MP3-FAIXA 2 (Portuguese (Brazil))
  • MP3-FAIXA 3 (Portuguese (Brazil))
  • MP3-FAIXA 4 (Portuguese (Brazil))
  • MP3-FAIXA 5 (Portuguese (Brazil))
  • MP3-FAIXA 6 (Portuguese (Brazil))
  • MP3-FAIXA 7 (Portuguese (Brazil))
  • MP3-FAIXA 8 (Portuguese (Brazil))
  • MP3-FAIXA 9 (Portuguese (Brazil))
  • MP3-FAIXA 10 (Portuguese (Brazil))
  • MP3-FAIXA 11 (Portuguese (Brazil))
  • MP3-FAIXA 12 (Portuguese (Brazil))
  • MP3-FAIXA 13 (Portuguese (Brazil))
  • MP3-FAIXA 14 (Portuguese (Brazil))
  • MP3-FAIXA 15 (Portuguese (Brazil))
  • MP3-FAIXA 16 (Portuguese (Brazil))
  • MP3-FAIXA 17 (Portuguese (Brazil))
  • MP3-FAIXA 18 (Portuguese (Brazil))
  • MP3-FAIXA 19 (Portuguese (Brazil))
  • MP3-FAIXA 20 (Portuguese (Brazil))
  • MP3-FAIXA 21 (Portuguese (Brazil))
  • MP3-FAIXA 22 (Portuguese (Brazil))
  • MP3-FAIXA 23 (Portuguese (Brazil))
  • MP3-FAIXA 24 (Portuguese (Brazil))
  • MP3-FAIXA 25 (Portuguese (Brazil))

  DOI: https://doi.org/10.5216/mh.v6i1.1873