The Teacher’s Role in the Self-Regulation of Seven- and Eight-Year-Old Students During a Process of Collective Musical Composition

Authors

DOI:

https://doi.org/10.5216/mh.v26.84851

Keywords:

The Teacher's Role, Autonomy, Self-regulation, Music Compostion, Collaborative Learning

Abstract

Understanding the nature of the relationship between the teacher’s role and students’ self-regulation helps us to comprehend fundamental aspects of how music teaching and learning take place. The purpose of this research was to analyse the teacher’s functions during a collective musical composition process and to determine which of these contribute to students’ self-regulated learning. The study focused on a stable group of twelve music school students. The research was carried out within the subject of music theory over the course of one full academic year through a teaching and learning experience that integrated listening, singing and composition. More specifically, this study involved an in-depth analysis of two of the four sessions dedicated to collective musical composition by xylophone-type percussion and the students’ own instruments. The data collected included video and audio recordings, transcriptions and the teacher’s fieldnotes. It was then analysed and interpreted according to the principles of grounded theory. The analysis of the students’ interventions during the composition sessions revealed their lines of action, as well as categorising the teacher’s functions within the group. The results show that a guiding teacher’s role stimulates participation, fosters group autonomy and contributes to the activation of students’ self-regulated learning processes.

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Author Biographies

  • Irene Fontdevila-Sibat, Universitat de Girona, Girona, Spain irene.fontdevila@udg.edu

    Irene Fontdevila-Sibat is a professor in the Department of Specific Didactics at the University of Girona (Catalonia, Spain), where she carries out teaching and research activities in the field of music education. She also teaches at the Liceu Conservatory (Barcelona, Catalonia, Spain), contributing to the Bachelor of Music (BMus) with a specialization in Music Pedagogy. Since 2004, she has taught Music Theory in various music schools, as well as choir, piano, and ensemble classes for early childhood and primary education. Since 2016, she has been a member of the coordination team of the Music Program for Social Inclusion in Primary Education, a social initiative led by the Liceu Conservatory in collaboration with the Ferrer Music Foundation. She has developed educational materials for introductory music learning and holds a PhD in Music Education. Her research focuses on collective composition, social inclusion, the teacher’s role, and self-regulated learning, with the aim of improving educational practice in diverse and inclusive musical contexts.

  • Laia Viladot, Universitat Autònoma de Barcelona, Cerdanyola del Vallès, Spain Laia.viladot@uab.cat
    Dr. Laia Viladot is Head of Teaching of Musical, Artistic and Corporal Expression at the Universitat Autònoma de Barcelona (UAB) since 2021. She holds a PhD in Music Education, a BA in Psychology, and a Professional Degree in Music. She has extensive experience in music education teaching and coordination, and before joining UAB in 2005 she taught in music schools and secondary education. Her research explores classroom interaction, peer learning, collective composition and inclusion. She has led national and European projects, published widely, taught as a guest lecturer in several European countries, and since 2023 has served as Spain’s national coordinator in the European Association for Music in Schools.

     

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Published

2026-04-21

Issue

Section

Artigos

How to Cite

FONTDEVILA-SIBAT, I.; VILADOT, L. The Teacher’s Role in the Self-Regulation of Seven- and Eight-Year-Old Students During a Process of Collective Musical Composition. MÚSICA HODIE, v. 26, 21 Apr.2026.