CORPO E ARTE NA ESTÉTICA DA GUERRA
Abstract
Em 1949, Sérgio Milliet e Mário Pedrosa, os dois mais importantes críticos
de arte da primeira metade do século no Brasil, encontraram-se em Paris,
cidade cujo “corpo” ainda se encontrava marcado pelo desastre da guerra,
da ocupação nazista e, por certo, da triste cumplicidade de parte de sua
população com as forças que a oprimiram. Milliet relatou uma imagem
que ambos presenciaram, ao que parece, e que lhes foi especialmente
tocante:
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