Vol. 30 No. 3 (2018)

Article

• Antonio Candido and the awareness of backwardness

  Paulo Elias Allane Franchetti

  318-345

  • PDF/A (Portuguese (Brazil))

  DOI: https://doi.org/10.5216/sig.v30i3.52218

• Fraturated identities: variations of double in Two Brothers, by Milton Hatoum

  Flávio Pereira Camargo, Alex Bruno da Silva

  346-364

  • PDF/A (Portuguese (Brazil))

  DOI: https://doi.org/10.5216/sig.v30i3.51087

• The rejection of aesthetics in Boris Eikhenbaum’s formalist theory

  Olga Donata Guerizoli Kempinska

  365-380

  • PDF/A (Portuguese (Brazil))

  DOI: https://doi.org/10.5216/sig.v30i3.51530

• Purity and nature in Paul Valéry’s “Cantate du Narcisse narcisse”

  Rodrigo de Oliveira Lemos

  381-403

  • PDF/A (Portuguese (Brazil))

  DOI: https://doi.org/10.5216/sig.v30i3.48713

• Three shots in Saravejo: poetry, photography and violence in Claudia Roquette-Pinto

  Aulus Mandagará Martins

  404-416

  • PDF/A (Portuguese (Brazil))

  DOI: https://doi.org/10.5216/sig.v30i3.50288

• Myth, performance and poetics in O Paraíso Perdido, by Teatro da Vertigo

  Douglas Ceccagno

  417-433

  • PDF/A (Portuguese (Brazil))

  DOI: https://doi.org/10.5216/sig.v30i3.48071

• The instability in the fictional universe of essa terra, by Antônio Torres

  Rogerio Gustavo Gonçalves

  434-449

  • PDF/A (Portuguese (Brazil))

  DOI: https://doi.org/10.5216/sig.v30i3.46091

• Articulating fiction, theory and criticism in Ian McEwan’ssweet tooth

  Caio Antônio Nóbrega, Genilda Azerêdo

  450-473

  • PDF (Portuguese (Brazil))

  DOI: https://doi.org/10.5216/sig.v30i3.48920

• Silva freire and the poetics of matrix-words: resonances of the process//poem

  Vinicius Carvalho Pereira

  474-498

  • PDF (Portuguese (Brazil))

  DOI: https://doi.org/10.5216/sig.v30i3.48986

• Literary representations of identity and difference concerning blindness stereotypes

  Ricardo Sobreira

  499-523

  • PDF (Portuguese (Brazil))

  DOI: https://doi.org/10.5216/sig.v30i3.49174